Interview with Erik Tunison from Die Kreuzen

I interviewed Erik Tunison, drummer for Die Kreuzen, Killdozer, Paul K, Fuckface, and D-Minus, about his experiences touring in vans.

What was the catalyst, motivation, or inspiration for getting a van
in the first place, specifically?

We knew we wanted to tour, and my 1969 Pontiac Catalina- while roomy enough for the whole band, all of our equipment, and even an extra friend or two- wasn’t going to cut it.

Where/from whom did you get it? Did you know the background
of this van when you purchased it?

The job I was working at was selling their service truck.

I bid $400 and we got it. I never found out if anyone else bid on it, but I was pretty vocal about wanting it, and everyone knew I was in a band. It’s possible they held back so we could get it.

Tell us about the van, year, make, model, color – did it need work,
and did you do any DIY, build a loft, etc.? Did you give it a name?

It was a 1975 Ford E-150. It had about 100,000 miles and was powered by the classic 300 cu. in. straight 6 cylinder engine. It was faded business white with a sporty blue racing stripe and rust. Lots of rust. I spray painted over the name of the company, but left the “Emergency Service” tag up. We told ourselves it meant we could park anywhere, and who knows, it may have helped. We got a lot of parking tickets in San Francisco and never paid any of them. Sometimes I worry about that.

We built a loft in the back, of course, but kind of threw it together without a plan so it was a bit overbuilt and pretty heavy. The van definitely felt a little top heavy afterwards. Later lofts were structured with aluminum angle and a lighter grade plywood.

We hardly had to do any work to this truck, except for an alignment, which on these trucks was not a procedure just anyone could do. It involved (apparently) heating up the “Twin I- Beam” parts in the front and banging them in to place. This also meant that the alignment lasted a long time so we never had to do it again. Other than that I think I had to replace the water pump and maybe a starter or two and probably some brake pads. That is about it on that truck.

Later on, after several tours and 100,000 miles we sold it for $450 so I was pretty happy with the deal.

Any funny or unique features?

A friend worked at a van conversion company (this was the end of the 70’s still) and an auxiliary heater fell off the loading dock or something and landed in our hands. We installed it in the back, on top of the loft. This needed to be plumbed into the radiator system and then a control cable could be snaked to the driver’s position with a multi speed switch.

Glorious heat was then piped into the back of the van, which for a band from Wisconsin was wonderful and got used from October through May or any time it got cold at night. This device stayed with us and was installed in all four of our trucks.

At one point we bought a coffee percolator that ran on the cigar lighter.

That was a great addition to touring. It took a while to perk, but so what? On the road you got nothing but time, and when the truck starts to smell of fresh coffee it will definitely lift your spirits.

Also we bought a Sanyo cassette player and speakers. I ran wiring into the back with quick disconnects for the speakers, and also quick disconnects for the player itself. I didn’t want to install it into the dash, and couldn’t think of an easy way to build a case for it until I hit on the idea of just using the box it came in. So we reinforced the cardboard with duct tape and just used it that way for years. Open the back to access the connectors for the wiring, and open the front to feed it with cassettes. It was easy to carry into the gig that way, or even if stashed under a seat it just looked like a box of junk. I liked that style so much I did the same thing for a friend’s truck.

What’s the longest drive you ever did between shows? What was the first trip you took with it?

I don’t know if we took it out for even one shakedown trip before we went out on our first tour down towards New Orleans, Texas, Arizona, California, and then back through Nevada, Kansas, Missouri and home.

Our longest trip to get to a show was later on with a different van- another Ford, this time a stretch E- 350 with dual fuel tanks. We started that tour in Seattle so had to drive from Milwaukee through to Seattle. We gave it a few extra days but it performed flawlessly and so arrived over a day early.

The longest between shows is a little hard to know, but Seattle through to Gilman St. in Berkeley overnight was a tough one. We left right after the show and arrived exhausted only to find out there was no backstage or dressing room, because dressing rooms were for rock stars.

Die Kreuzen interivew in Flipside, Photo by Al Flipside, courtesy of Erik Tunison.

Did you sleep in the van, people’s houses, or motels/hotels?

We went for many, many years before we ever stayed in a motel. Generally someone would offer a place to stay, or we would sleep in the truck. If we had a night off and the weather was nice we would consult the Rand McNally and find a state or national park with camping and shower facilities. We didn’t have a tent, but sleeping under the stars on a picnic table- or on the truck itself was just fine. Rain meant we were in the truck, but a $7 a night who cares?

These are some of the finest memories I have of touring- climbing a mountain in New Mexico, watching dolphins swim in the surf off Virginia Beach, having a friend join us and play music around the campfire outside of Atlanta. We took a gas cooker and a small kitchen kit with us and so could save money and have dinner and breakfast anywhere.

Eventually, we did graduate to getting one motel room for the 4, 5, or 6 of us. One would sleep in the truck to guard the gear.

Were there any van rules you had? Or band rules in general?

Not really. We were okay with having guests in the truck.

The only time we had much trouble was if someone decided to drive somewhere with someone else. Then there could be difficulty getting the show back on the road.

Maybe just the Ken Kesey inspired rule “Don’t get off the bus”.

Do you have any classic nightmare van/police/mechanical/crash/fire stories from tour or any other shows?

We never had any real police trouble. We got pulled over a few times, but then were always allowed to go on our way.

The only real crash was when we got rear ended while stopped for road work. Some over- tired GI towing an over- stuffed trailer with his under- powered Chevy didn’t see the parked traffic and smashed pretty hard into the car right behind us. That poor guy took it pretty hard and was taken away in an ambulance. Inside our truck (a 1970 bread truck by this time) one of the many flying Anvil briefcases cracked one of our guys in the skull pretty hard. Probably he had a concussion, but in the spirit of the times he mostly shook it off with a day’s long migraine and we continued on our way. Oh yeah that became a rule: Put every briefcase under the seat.

Or rather we tried to continue on our way. The shock of the crash damaged the engine and after a few hours of steadily decreasing power we limped into Baltimore for a show. The next day we found a place to put in a replacement motor, but it took the better part of a week and we went from having a good supply of money and a bunch of shows up the East Coast to spending most of that money, hanging around Baltimore at some awful semi- squat and missing what would have been some great shows.

We never went back to Baltimore.

As for regular breakdowns, I was reasonably handy and owned a decent set of Sears Craftsman tools (thanks mom!) so I did my best to fix things myself as they broke.

There is a long list of places where I replaced starter motors.

I dropped the transmission on the roadside in Detroit to replace the throwout bearing.

Several water pumps blew spectacularly, as they do (once a helpful member of the Cajun community pushed us off the Lake Pontchartrain Causeway and only had to replace the gasket on the water pump. This was very helpful as a water pump on a V-8 is more of a chore to get at. Thanks Calvin!).

Brake master cylinders and brake drums and brake calipers and brake lines galore.

Various wiring gremlins. Once the magic smoke gets out it’s hard to get it back in.

I wasn’t often defeated by a repair. A frozen wheel bearing once just would not let go, no matter how much I swung on it with what I called my Ford Tool. We limped into a shop where they both rented us a truck, and also fixed our repair.

Second time I saw Die Kreuzen was at DC Space. Flyer courtesy of Dischord Records.

Where did the van end up? 

We had four trucks over the years. The first I was able to sell for $50 more than we paid for it, so that was a win.

The bread truck apparently went to a farm where it is probably still being used as a chicken coop to this day.

The other two gave good service, and were then resold to other unsuspecting civilians although not at a specific financial profit.

I will say to bands just starting out, go with a Ford Econoline. An E-350 will give you the best service, and the stretch version gives you lots of room. We loved the dual tanks, and if they still offer that Straight 6 300 cu inch engine grab it. They are bullet proof.

Sahan Jayasuriya is writing a book about Die Kreuzen called The Crossing: The Oral History of Die Kreuzen. Stay connected regarding its forthcoming release on Instagram and Facebook

Die Kreuzen Bandcamp

Die Kreuzen – Demo 1982
Die Kreuzen – Milwaukee Cable TV 1983
die kreuzen live 1991
Rock Doc: Die Kreuzen (Part One)
Rock Doc: Die Kreuzen (Part Two)

Interview with Nuzzle

I interviewed Simon Fabela, bass player of Nuzzle from Santa Cruz, California, who were active during the 1990s.

Tell us who you are?

My name is Simon Fabela. I played bass in the band Nuzzle. The other members of the band were Andrew Dalton (vocals), Nathan Dalton (guitar), and Ricardo Reano (drums).

“First thing we needed was a van!”

– Simon Fabela

What was your motivation for getting a van in the first place? How long were you a band before you got one? Did a particular band inspire you?

In the early 90s, it really wasn’t too difficult for someone in their late teens to actually go out and buy a van. Gas was cheap and old vans were not hard to find. 

Nuzzle began to take shape somewhere between 1990-1992. Like so many other bands, it was just four high school friends getting together and making some noise after school or on the weekends.

It was around this time in the early 90s that we began to uncover the underground music scene in and around where we lived in Los Angeles. Going to records stores and buying anything that was out on K Records, Kill Rock Stars, Touch & Go, Dischord, Merge, etc…then seeing flyers for shows and going out to Jabberjaw, Claremont College, Macondo, countless house shows, and just absorbing it all.

When our own songs started to take shape and we recorded our first 7″, it was bands like Lync and Some Velvet Sidewalk from Olympia that we made contacts with when they were on tour in Los Angeles, and encouraged us to come up to Oly or Portland, and they could help us get a show, place to stay and so on. That was really the impetus of us giving it all a go and realizing we can actually do this beyond our own back yard.

First thing we needed was a van!

Photo courtesy of Nuzzle

What kind of van did you get and where did you get it?

Andy Dalton was the main force initially behind pretty much everything we did as a band, so he took it upon himself to sell off the old beat up car he had at the time, and buy a gray late 70s Dodge Tradesman that became the band van.

It was a real beater, not sure how much he paid for it, but it couldn’t have been more than maybe a few hundred dollars. It had some issues. It leaked oil like mad and we had to keep several bottles of oil in the van at all times to refill periodically. But we didn’t care, we just wanted to build a loft and get on the road! Which we did.

Photo courtesy of Nuzzle

What is the first trip you took with it?

Our first real tour was in that van up the west coast for a two week jaunt in the summer of 1994, that coincided with the first Yo Yo A Go Go in Olympia  – which we ended up playing at because of a cancellation!

We had begun trying to “book” a tour that summer only a few months prior to Yo Yo not realizing that these sort of things need to be done way in advance.

So after being told that the Fest was already booked, the amazing folks at Yo Yo agreed to keep us in mind if something opened up.

We bought passes with the intention of just staying in Olympia for the week and going to see the Yo Yo Festival everyday, which we did, but when Antioch Arrow ran into van issues in Colorado and couldn’t make it, we got the call!

Photo courtesy of Nuzzle

Do you have any classic mechanical issue stories from being on tour?

Rewind a few days…

After playing a show in Seattle the day before heading to Olympia, our gray van ran into some issues. While laying down in the loft after the show, en route to where we were supposed to be staying, Ricardo noticed a long streak of liquid behind the van that seemed to be following us around every turn.

When we stopped to see what was up, we noticed a sizable crack in the gas tank under the back of the van just pouring out gas. I remember someone grabbing a Styrofoam cup to try and save some of the gas that was pouring out, and just watching the Styrofoam disintegrate.

The van ended up at a mechanics for a few days in Seattle (with all our equipment still in it!) to get repaired while we hitched rides to Olympia with some friends. When we got the call that we were actually going to be playing the Yo Yo later that night we were ecstatic! Then we quickly realized all of our gear was in Seattle, in the back of the van, in a mechanic’s garage!

We called the garage and were told we could come get it if we got there before they close at 5 pm. Luckily, a friend’s band lent us their van to make a mad dash down to Seattle to gather our gear.

While speeding back to Olympia, with all our gear strewn about the back of this borrowed van, Andy gets pulled over for speeding. How crazy is this situation – speeding van, sweating nervous guy driving, music equipment all hazardously thrown into the back. Andy honesty explains the situation and the cop asks “Who’s van is this?”  Andy says “Gillies”  Cop: “Gillie who?” Andy: “I don’t know her last name.”  Cop goes back to his car for a little bit, then comes back and says, “OK Andy. You can get going, but you need to slow down.” 

WTF!! Lots of “THANK YOU’s” and back off to Oly just in time to load straight onto the stage at the Capitol Theater and play. 

Photo courtesy of Nuzzle

Any other entertaining tour stories?

In 1995, we borrowed a friend’s late 70s yellow Dodge Tradesman 201 to tour the US for 6 weeks with the amazing Fisticuffs Bluff.

Another van with major issues that broke down at least twice. Once leaving us stranded in Chambers, AZ for a couple days (had to replace the water pump), and another time in the South, I want to say Mississippi, when the radiator blew.

When we took it to a garage and the guys working on it (one guy named “Thrash” and the other “Hub”) told us we could either wait a few days and spend a good amount of money on a new radiator, or they can just plug up those holes and take our chances. We rolled the dice and it worked!

I do also recall removing the “doghouse” inside the van – the center piece that covers the engine and sits in between the driver and the passenger – while we were driving and probably late to a show, and feeding oil into the engine to keep it going. So, so dangerous, what the fuck were we thinking!?

The van made it back home after that 6 week endurance test, but died a sad death several months after we got back and was sold for scraps.

Photo courtesy of Nuzzle

Any funny or unique features with your vans?

In 1998, I personally bought a mid 80s white Dodge Ram 15 Passenger van that we used for several years. Like the majority of vans bands used at the time, we took out the back two rows and built a stellar loft.

My mom even made curtains for the back windows.

We used this for our Summer of 1999 US Tour. It was a bare bones van inside and out. There were a couple of small portions of the floor, near the driver’s left foot, that were missing, and you could see the road blurring by. 

No paneling inside, so just metal, and in the middle of summer it was fucking roasting in there. No radio either, so we took a bungee cord and looped it around one of the beams on the ceiling and hung a boom box from it, connected it to the cigarette lighter, and blasted tapes as loud as we could.

Most of the time the noise inside the van, from driving and not being insulated, was louder than the music. I loved this van and had a big childhood poster of mine of Fernando Valenzuela taped to the inside “roof”.

I ended up selling it to another local band from Oakland.

Photo courtesy of Simon Fabela

Did you sleep in the van, people’s houses, or motels/hotels?

Our vans were always the place we slept if we could not find a floor to crash on. Rarely did we rent a motel because we just didn’t have the money.

Four or five humans sleeping in a van in the south in the middle of summer was insane! 

Were there any van rules you had? Or band rules in general? 

There weren’t any specific van rules, though usually whoever was driving got to choose the music. We all ended up getting tired of each other’s musical tastes once we’d got past whatever current obsession we all had at the time (Unwound, Sonic Youth, Neil Young, etc.) so we listened to a lot of comedy tapes – one specific David Sedaris box set of tapes was worn out.

Photo courtesy of Nuzzle

What’s the longest drive you ever did between shows?

We had some pretty insane drives back then, I distinctly remember a hellish, roughly 13 hour drive from Seattle to Lake Tahoe, and one from Montana to Minnesota.

The van was like our own traveling living room and even when not on tour, we’d often just hang out in it and dream of the next tour.

Reminisce with Nuzzle here:

Instagram

Bandcamp

Nuzzle – The Sorting That Evens Things Out
Nuzzle – If Left To My Own Devices
Nuzzle – My side of the mountain
Nuzzle – Karpal Tunnel
Nuzzle – Live in Austin, TX – July 10, 1995

Interview with Doug Carrion from Field Day

Joe McRedmond interviewed Doug Carrion, bass guitarist with Field Day, Humble Gods, Descendents, and Dag Nasty, about a few of the vans he’s used to travel with bands over the last 35 years.

What was the catalyst, motivation, or inspiration for getting a van in the first place, specifically? 

I’ve had several vans over the years. Generally speaking, there’s one specific theme they all have in common: how to get the band and crew from point A to point B with all the gear safely, and within a certain time frame. On the surface that sounds easy, but it can be tricky, and there are a few things I learned along the way that might be helpful to someone starting out, or considering getting a van. These are not hard fast rules, but valid information I’ve stumbled upon after spending decades bouncing around from town to town, city to city, doing punk shows.

What is your budget?
How many people are traveling?
How much gear do we have?
To trailer or not to trailer, that is the question.

Budget:
Here is the philosophy I adopted after a conversation with Keith from Circle Jerks. Get a van that costs $3,000, and drive it until it dies. Take the plates off, rinse and repeat.
The idea is getting a mid-priced van. If you get a beater van, you’re likely to miss shows, and/or be dealing with breakdowns in the middle of nowhere. Which sucks (believe me, I know). Or if you get a van that’s too new, you’ll get killed on payments when you’re not touring. Basically, get one right in the middle, price range wise.

“My idea is to be as stealth as humanly possible at ALL times. It should look like a family van going to church.”

– Doug Carrion

It’s a work vehicle, so keep that in mind. I’m adding a wrinkle to this. If you get a van that looks like a beater, you’re gonna get hassled by the cops when you travel into small towns. I was always amazed that COC (Corrosion of Conformity), in the early days, traveled in a van with graffiti. I’d never do that. I never want to draw ANY attention to the band. On the other side, getting a van that is new, will get broken into when you travel to big cities. We all know crackheads love to rip off vans. My idea is to be as stealth as humanly possible at ALL times. It should look like a family van going to church. Very, very low key. In fact, I only wash the van once a week while on tour. I want it to look clean, but not too clean, and not so dirty that people think you’re the Manson family traveling around in a creeper van. Ultimately, what you want is a van that looks very average, but can drive from California to New York tonight, without any worry of breaking down.

How many people are traveling:
I like as much space as possible. I always aim for enough room where everyone can have a seat, and you have enough room for 2 people to sleep at the same time. Example: driver and co-pilot up front (2), one bench seat will fit another 2 people comfortably. A second bench seat will fit another 2 people comfortably. If 2 are in the loft sleeping, that’s 8 people in a traditional 15 passenger van. Why? On some days, you might spend more time in the van than actually out of the van. So make sure it’s set up the right way for comfort, or reduce your crew. On average, you’re gonna spend 6 hours or more in the van everyday. As of late, I’ve been wanting ALL the gear in the van, and try not to use a trailer. This brings up the question of how are you gonna build out the van?

There are a few ways to do this, you can research this on the net, but overall these are the go to designs:

  • The Firewall – Some way all the gear is behind a wall of some kind, built within the van.
  • The Loft – Also known as “the scratch stack.” All the gear goes underneath, and people sleep on top.
  • Using a Trailer – (more on that later).

I’ve used all these designs several times, and this changes depending on how much gear, and how many people are traveling.

The Dag Nasty bus was a loft at first, then became a firewall setup.
Dag Nasty Bonneville van – We used a trailer.
Descendents Econoline van – Scratch stack, gear underneath.
Descendents Dodge Ram van – Firewall with a mid-level loft in the back.

The last van I built out was 2 front seats, 1 bench seat, and a loft, with all the gear hidden underneath. I went as far as painting the windows in the back, and the last 2 side windows flat black. This van traveled 4 people comfortably, with zero way of seeing any gear at all times. Everything was hidden, and the dark windows made it easy to sleep during the day, because it blocked out a reasonable amount of light.

The van life…

If you’re a mid-range band playing 400 cap rooms, you can get away with a 15 passenger van for a while. If you all of a sudden start opening for a bigger band playing 1500 cap rooms, and that band is in a bus, you’ll be doing lots and lots of all night drives. Remember before, when I was talking about space to sleep and sit up? Here comes some advice from Eric of Die Kreuzen, “When we do overnight drives, everyone drives 100 miles and we rotate.”  Why? There is always some lazy bastard in the band that will pretend they can’t drive at night, forget their license, or whatever bullshit excuse to not be a team player, or wanna help out. So you gotta squash that shit right out of the gate. Everyone drives 100 miles on all-nighters. This way nobody is exhausted the next day. Even if you bring along someone to help drive/crew, you should rotate drivers for your own safety. Field Day rarely do overnight drives; we avoid them if possible.

A quick note on trailers. Don’t do it! I’ve come full circle on this a few times over the years, but in 2020, I’m firmly against them. Why? Trailers get stolen, are a bitch to park in a big city, suck in the snow, have speed limit requirements, and draw too much attention to you as a band. 

Believe it or not, you might be better off with 2 vans. One for gear and merchandise, and the other one for people.  To get more detailed, most insurance only covers the vehicle, not the trailer. So if it gets broken into, you’re out several thousand dollars, and stuck with no way to perform. I’ve noticed that places in the South with a border close to Mexico, like California, Arizona, Texas, and New Mexico, have a higher rate of trailers being snatched.  I’ve heard the gear ends up going to Mexico, to be sold on the black market.

“This is the Descendents 71 Econoline. 
Taken the same night as the one with the band. In Memphis 1985. Never before seen. Photo by my dad, Bill Carrion.”

What vans did you use, and where did you get them? Did you know the background of the vans at the time of purchase?

Descendents – 1971 Ford Econoline.
Bill got this from the Recycler. He and Chuck from Black Flag did the original inspection to check the engine. The van was a beater, but all we could afford at the time. No AC, no frills, with a wooden loft – scratch stack, no padding or mattress, just plywood. A cargo van with added skylight, and side windows that leaked 🙂 The van was so overloaded with gear, there was something like 15 inches between the loft and the hot ceiling. I was small enough to be able to flip over while sleeping, but Bill and Milo had to decide if they wanted to sleep on their stomachs or backs for the next 8 hours. With all that extra weight, the van went through 3 or 4 transmissions on the first tour. At one point the van died, and was towed to Lomita, where we rehearsed and lived, and was parked in the back of our small parking lot. While we were on tour with our second van, a Dodge Ram, the cops towed the Econoline away, and we got charged an arm and a leg to get it out of impound. Not cool. I have no idea what happened to it.

Descendents Second Van – 1985 Dodge Ram Van Extended.
Worked well, had the “firewall wall/low loft” set up. After I left the group, they continued using it. I think it ended with 300,000 miles on it. RAD 🙂
You’d have to ask Bill what happened to it.

Dag Nasty – School Bus (short version) wanna say it was a GMC.
I have no clue where Brian got it. I remember it was “3-on-the-tree.”
We had a few versions of the build, firewall and scratch stack.
At one point there was a mattress in the back, and Peter slept and read most of the time.

The second Dag van was a late 70’s used Chevy Bonneville.
This one had windows, and we opted to travel with a trailer.
We did a bunch of tours with this one.  It ended up back in
Los Angeles, and Brian used it as his main ride after Dag broke up.
I’d imagine he sold it here in LA, best guess 1989.

Humble Gods – 1995 new Chevy Starcraft conversion van with a trailer.

Field Day – We do mostly fly dates, so we rent 15 passenger studio vans.

Descendents 71 Econoline. Outside City Gardens. Photo by Ron Gregorio. 

Did the vans have any funny or unique features?

Descendents Van 1 – Radio with a cassette player, usually shorted out, and caught fire once. There was a small wooden bench seat that had a trapdoor. I used to put my hair products there 🙂

Dag Bus – No radio, no features. The school bus door was cool. Grab a lever and open the door.

Dag Bonneville – Very stock.

Humble GodsStarcraft – That had a DVD/TV set up. Electric folding bed. Kinda cool for a conversion van.

Dag bus. Photo courtesy of Dag Nasty.

What’s the longest drive you ever did between shows?

I wanna say an overnight drive from El Paso to Dallas, which is only about 9 hours, but in the older Descendents van it took almost 12 hours.
The other one was in the Descendents Dodge Ram, going from Toronto to Chicago in the snow, which ended up being about 15 hours.

Noteworthy: When we can, we route shows around the weather.
Example: in the winter we try to stay below Interstate 40.
You’d think that was something we would have learned sooner. Nope. Only in the last few years, especially with Field Day, do we route around the weather, trying to avoid missing shows because of snow.

Dag bus. Photo courtesy of Dag Nasty.

Did you sleep in the van, people’s houses, or hotels?

Descendents – Mostly overnight drives, and at people’s houses. I slept in the van a zillion times.
Dag Nasty – Mostly people’s houses, and an occasional 5 guys to a room at a Motel 6.
Humble Gods – Hotels, 2 people per room.
Field Day – Hotels, 2 people per room.

I saw the Dag Nasty School Bus at this show at the Chameleon Club in Lancaster, PA in 1987, where my band was an opener. Flyer by Jeremy Weiss, from the Ronn Mann flyer collection.

Were there any van rules you had? Or band rules in general? For example, the last band I was in had the following rule: “Don’t freak out, and don’t fuck up.” You?

Punkers don’t follow rules, you know that. No rules beyond “don’t crash”.  Overall, the van is a traveling locker room with funky sleeping options. Think about 7 roommates living on top of each other, for months at a time, in a tiny space. You don’t wanna be a prick, but there has to be some mutual balance and respect between the people traveling, or shit hits the fan. Oddly enough, van drama has a way of sorting itself out. For example,

…if you bring 8 pairs of chucks on tour, and leave your shoes on the floor of the van, chances are they will get kicked out accidentally, or on purpose…

at some point, because band member 1 is mad at band member 2 for not helping load out.  This happens 🙂 Most touring musicians know the basics of van etiquette. Be cool and be respectful or you get called out.

Descendents – Wet clothes in trash bags in the back. Other than that, no rules needed. Really easy guys to work with.

Dag – No rules needed, with the exception of Brian’s and Peter’s books. Brian would read a book a day, so we always had to manage what to do with all the grocery store best sellers on the floor. Ha ha. Peter was a bit more contained with his books and materials.

You have to be really self-contained to tour, or everyone gets pissed, and the drama builds up. I say, “Don’t be that guy”, and don’t create drama. I guess it’s about common sense, and reasonable behavior toward the group.  I have an interesting perspective that follows a 90%/10% rule. 10% of the time, you have to be a monster player, punctual professional, and all that, but the other 90% is how you are as a human being. Are you easy to get along with, are you nice to bartenders, servers, other bands, promoters, etc?  We’re gonna spend lots and lots of time in airports, venues, hotels, and vans together, so if you’re a spoiled, overly entitled person that is rude, or has a hard time making do and being flexible, it’s gonna be a bummer for everyone. Mainly you. As Bruce Lee says, “Be the water, not the rock.”

When you pull up to a gas station, and see trash cans, throw out all the trash. Taco Bell bags, old coffee cups, Subway sandwich remains need to go.

There will be tons of time you have to eat in the van while driving, and trash builds up. The other thing is, sometimes people need a ride from the venue to the hotel or whatever. It’s gross to get into a band van that smells like death, with food and god knows what all over the place 🙂 Ugh.
Also, you’re gonna get pulled over by the cops. If they see a van that looks like a frat house bar on wheels, you’re gonna get fucked with.

Anything that’s illegal, like drugs, weed, pills, firearms…whatever…if we get stopped, you own up to it.  

Dag Nasty and their Chevy Bonneville, Photo courtesy of Doug Carrion.

Do you have a classic nightmare van story from tour or any other shows?

Too many to tell. But what comes to mind is a drive with Descendents from Syracuse to NYC to play CBGB’s in the winter. We slid off the road 3 times during that drive. It was a “white-knuckler” for sure.  Dag getting snowed in on the 95 coming from Boston to DC, and having to sleep under a bridge in the school bus van. Got hassled by the cops for stopping.  One time, doing a snowboard festival in Utah with Humble Gods, and it started to snow, and the weather dropped, so the roads were icy. We opted to drive down the mountain at night after the show. Maybe slide our way down the hill is a better depiction of the situation. That sucked. Peter and I just had one with
Field Day in November 2019. We played St. Louis, and had to get to Chicago for a flight. There was a storm, and we crept our way through the snow for hours, sliding and driving into the storm. Kevin and I made our flights west, but Peter got stuck in Chicago, and had to overnight there. Ugh.

Where did the vans end up? 

Descendents Van 1 – Died, no clue what happened to it.
Descendents Van 2 – They continued to use.
Dag Bus – Died. Brian sold it in DC.
Dag Bonneville – Brian used for a while, and it sold in LA.
Humble Gods Starcraft – Brad kept it, and it was the first van Kottonmouth Kings used.

Are you working on any new releases? 

We have a new 7″ called “Field Day 2.0” that came out on Unity Worldwide June 5. You can get vinyl at Cortex if you’re in Europe or at RevHQ if you’re in the states.  The digital is everywhere…Amazon, Spotify, iTunes.

Field Day is mixing a new release called “Opposite Land” slated to come out November 2020. The vinyl will be available via Cortex and from our web store and digitally in all the usual places.

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FIELD DAY – SEARCHING FOR THE ANSWERS – HARDCORE WORLDWIDE (OFFICIAL LYRIC HD VERSION HCWW)

FIELD DAY – WE ARE THE CHANGE – HARDCORE WORLDWIDE (OFFICIAL LYRIC HD VERSION HCWW)